I wait patiently, with no urgency. I have been granted all the time there is. I do not try to make anything of what I see. I hold no expectation or assumption that I know anything at all.
3sf was originally conceived by Asger Jorn, a Danish artist and philosopher, in 1966 as a method of explaining his refinement of the Marxist dialectic (resulting in something Jorn referred to as "triolectics"). Jorn was a member of the Situationist International, a loose organisation of anarchists, Marxists and avant-garde artists who had become disillusioned not only with the promises of the increasing technological rationalisation of everyday life under capitalism, but also the dogmatic responses of the anti-capitalist intelligentsia at the time. They sought creative alternatives to all facets of life, seeking to deconstruct the limits of work, play and everything in between. Although Jorn's theoretical reworking of a central Marxist tenet never really took off, his attempt left a legacy that is increasingly felt around the world.
"Jorn was hopeless at trying to describe [triolectics]," said Dyson. "He was coming completely out of left field, and no one had a clue what he was talking about. So he came up with the metaphor of three-sided football to explain it."
In keeping with the anti-authoritarian spirit that gave birth to the sport, the rules of 3sf are few, and considered more as guiding principles than steadfast laws. In general, the game should involve a ball, three teams and a hexagonal pitch – anything beyond this is subject to spontaneous revision.
Unlike conventional football, a team doesn't win by scoring the most goals, but rather victory is predicated on how few goals a team concedes to its opponents. This arrangement is supposedly meant to expose the ideological underpinnings of conventional football, which is confrontational, aggressive and deterministic: there is generally a clear winner and loser, and players must operate in accordance with rigid rules and well-defined strategies.
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