Monday, May 09, 2016

‘5 weeks, 25 days, 175 hours’

Chisenhale Gallery presents the first solo exhibition in the UK and a new commission by Berlin-based artist, Maria Eichhorn. Highly responsive to context, Eichhorn’s work operates within the logic of institutional structures, enacting changes through precise and visually minimal gestures. Her ambitious, large-scale projects often take on the mechanics of legal, social and financial processes, making permanent interventions that evolve over time.
Following a site visit to Chisenhale in July 2015, which included a discussion with Chisenhale staff exploring their working lives, Eichhorn has produced a two part work examining contemporary labour conditions. The exhibition will begin with a one-day symposium on Saturday 23 April, addressing ideas raised by the project. The symposium will feature lectures by Isabell Lorey and Stewart Martin and will be chaired by Andrea Phillips. The afternoon will be devoted to a discussion with the audience, in which Eichhorn will also participate.

At Eichhorn’s request, the gallery’s staff will then withdraw their labour for the remaining five weeks of the exhibition. None of Chisenhale’s employees will work during this period and the gallery and office will be closed, implementing leisure and ‘free time’ in the place of work. At the heart of the project is a belief in the importance of questioning work – of asking why, within our current political context, work is synonymous with production, and if, in fact, work can also consist of doing nothing. Eichhorn’s conceptual gesture is an implicit critique of institutional production and broader neo-liberal patterns of consumption, but it is also an artwork that deals with ideas of displacement of the artist’s labour and of the artwork as work.
That's right, a gallery in east London has just opened an exhibition that's permanently closed.
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